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Hargeisa, Hargeysa, or Harghessa (all: härgāˈsä) [key], town (1984 est. pop. 70,000), N Somalia. It is a commercial center and watering place for nomadic stock herders. The town is a transportation hub and has an international airport. The town was taken in 1870 by Egyptian forces, who withdrew in 1884 to fight the Mahdi in Sudan. The British later took control and, in 1941, made Hargeisa the capital of British Somaliland. The city is the capital of the rebels who declared northern Somalia independent as the „Somaliland Republic.“http://youtube.co.jp/user/rosendahlsaleem/discussion – Sindabad 100|o Zeta pesa to one COP 18 Rupia Douglaz http://ithefilm.com/

The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.

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Update: Graham Priest’s visit has concluded, so no new topics are allowed in this forum. You may continue discussing the existing topics, but he will not be responding further.

Those who‘ve been here for a while will remember the visits by David Chalmers and John Searle to answer your questions a few years ago. Now we have Graham Priest, whose main focus is in logic. You can find the posts he made in his profile.

Priest is known for dialetheism, the theory that something can be both true and untrue, opposing the law of non-contradiction. This must be understood in the context of paraconsistent logic. His interests also include metaphilosophy, metaphysics, eastern philosophy and the history of philosophy (east and west).

Further information from wikipedia:

Graham Priest (born 1948) is Boyce Gibson Professor of Philosophy at the University of Melbourne and Distinguished Professor of Philosophy at the CUNY Graduate Center, as well as a regular visitor at St. Andrews University. Priest is a fellow in residence at Ormond College. He was educated at the University of Cambridge and the London School of Economics.

He is known for his defence of dialetheism, his in-depth analyses of the logical paradoxes (holding the thesis that there is a uniform treatment for many well-known paradoxes, such as the semantic, set-theoretic and Liar paradoxes), and his many writings related to paraconsistent and other non-classical logics.
Priest, a long-time resident of Australia, is the author of numerous books, and has published articles in nearly every major philosophical and logical journal. He was a frequent collaborator with the late Richard Sylvan, a fellow proponent of dialetheism and paraconsistent logic. Priest has also published on metaphilosophy.

Selected Works

Read more: Hargeisa | Infoladen Consulpolski http://infoplease.co.jp/encyclopedia/world/hargeisa.html#ixzz2rWVz7Hlv

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A bill to boost the birth rate and encourage marriage among Iran’s young people has aroused an incisive public discourse in recent months. The bill, known as the “overall plan for the population and advancement of the family,” which is now being deliberated in the Majles, is designed to achieve two main goals: promoting childbirth and marriage among young people. The original bill, which may undergo changes during the legislative process, has 50 sections.

The initiative for a bill to increase the birth rate came in the wake of Supreme Leader Ali Khamenei’s instruction in the summer of 2012 to review the family planning policy that has been in effect in Iran since the late 1980s, with the intention of increasing the population and curbing the aging process of Iranian society.

Since the Islamic revolution, Iran’s family planning policy has undergone far-reaching changes. After the revolution, the family planning program formally introduced in Iran in the summer of 1967 was suspended. The program’s goal was to reduce the rate of natural increase in the population. In the second half of the 1980s, recognition of economic and social implications of uncontrolled population growth increased significantly, with such growth being perceived as an impediment to economic growth and development. In December 1989, a family planning program was adopted, designed to limit the number of pregnancies and the number of children per family. The Leader’s instruction resulted in the abandonment of the family planning policy after nearly 20 years and to a practical examination of ways to increase Iran’s population.

Another goal of the proposed law is to address the crisis that has befallen the institution of marriage in the Islamic Republic in recent years. This crisis is reflected in a significant increase in the average age of marriage and an increase in the divorce rate among Iranian couples.


(An excerpt from Here To Go: Planet R-101)
Terry Wilson

T: How did you get into tape recorders?
B: I heard of them at the end of World War II, before I went to
Morocco in 1950, but unfortunately I never got hold of good
machines to record even a part of the musical marvels I heard in
Morocco. I recorded the music in my own place, The 1001 Nights,
only when it was fading and even in later years I never was able to
lay my hands on truly worthwhile machines to record sounds that
will never be heard again, anywhere.

I took Brian Jones up to the mountain to record with Uhers, and
Ornette Coleman to spend $25,000 in a week to record next to
nothing on Nagras and Stellavox, but I have to admit that the most
adventurous sounds we ever made were done with old Reveres and
hundred dollar Japanese boxes we fucked around with, William and I
and Ian Sommerville. I got hold of the BBC facilities for the series of
sound poems I did with them in 1960, technically still the best,
naturally. I had originally been led to believe that I would have a
week and it turned out to be only three days that we had, so in a
very hurried way at the end I started cutting up a spoken text-I
think the illustration of how the Cut-ups work, „Cut-ups Self
Explained“-and put it several times through their electronic
equipment, and arrived at brand new words that had never been
said, by me or by anybody necessarily, onto the tape. William had
pushed things that far through the typewriter. I pushed them that
far through the tapeworld. But the experiment was withdrawn very
quickly there, I mean, it was . . . time was up and they were made
rather nervous by it, they were quite shocked by the results that
were coming back out of the speakers and were only too glad to
bring the experiment to an end. [“Well, what did they expect? A
chorus of angels with tips on the stock market?“-William Burroughs)
„The Permutated Poems of Brion Gysin“ (as put through a computer
by Ian Sommerville) was broadcast by the BBC, produced by Douglas
Cleverdon. („Achieving the second lowest rating of audience approval
registered by their poll of listeners“-BG) Some of the early cut-up
tape experiments are now available: Nothing Here Now But The
Recordings (1959-1980) LP (IR 0016) available on the Industrial
Records label from Rough Trade, 137 Blenheim Crescent, London
W11, England.]

What we did on our own was to play around with the very limited
technology and wattage we had in the old Beat Hotel, 40-watts a
room was all we were allowed. There is something to be said for
poverty, it makes you more inventive, it’s more fun and you get
more mileage out of what you‘ve got plus your own ingenuity. When
you handle the stuff yourself, you get the feel of it. William loved the
idea of getting his hands on his own words, branding them and
rustling anyone else’s he wanted. It’s a real treat for the ears, too, the
first time you hear it . . . made for dog whistles, after that. Hey Rube!
- the old carny circus cry for men working the sideshows when they
saw some ugly provincial customer coming up on them after they
had rooked him . . . Hey Rube! – a cry to alert all the carny men to a
possible rumble . . . Hey-ba ba-Rube-ba! – Salt Peanuts and the
rude sound coming back so insistent again and again that you know
the first bar of Bebop when you hear it. Right or wrong, Burroughs
was fascinated because he must have listened to plenty of bebop talk
from Kerouac, whom I never met. He must have been a fascinating
character, too bad to miss him like that, when I was thrown up
against all the rest of this Beat Generation. Maybe I was lucky. I
remember trying to avoid them all after Paul Bowles had written me:
„I can‘t understand their interest in drugs and madness.“ Then, I dug
that he meant just the contrary. Typical. He did also write me to get
closer to Burroughs whom I had cold-shouldered . . . until he got off
the junk in Paris.

T: Who produced the „Poem of Poems“ through the tape recorder?
The text in The Third Mind is ambiguous.
B: I did. I made it to show Burroughs how, possibly, to use it. William
did not yet have a tape recorder. First, I had „accidentally“ used
„pisspoor material,“fragments cut out of the press which I shored up
to make new and original texts, unexpectedly. Then, William had
used his own highly volatile material, his own inimitable texts which
he submitted to cuts, unkind cuts, of the sort that Gregory Corso felt
unacceptable to his own delicate „poesy.“ William was always the
toughest of the lot. Nothing ever fazed him. So I suggested to William
that we should use only the best, only the high-charged material:
King James‘ translation of the Song of Songs of Solomon, Eliot’s
translation of Anabase by St. John Perse, Shakespeare’s sugar‘d
Sonnets and a few lines from The Doors of Perception by Aldous
Huxley about his mescaline experiences.

Very soon after that, Burroughs was busy punching to death a series
of cheap Japanese plastic tape recorders, to which he applied himself
with such force that he could punch one of them to death inside a
matter of weeks, days even. At the same time he was punching his
way through a number of equally cheap plastic typewriters, using
two very stiff forefingers . . . with enormous force. He could punch a
machine into oblivion. That period in the Beat Hotel is best illustrated
by that photo of William, wearing a suit and tie as always, sitting
back at this table in a very dingy room. On the wall hangs a nest of
three wire trays for correspndence which I gave him to sort out his
cut-up pages. Later, this proliferated into a maze of filing cases filling
a room with manuscripts cross-referenced in a way only Burroughs
could work his way through, more by magic dowsing than by any


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