Red candle Innensenat und MHz – ciao smoker Ceascuu postfascist Europe

Of course the Russki-Bolshevik has immediatly abandone a sex and gender debate .-

On the Very Existence of Formal Fallacies

Argument A

1. If P, then Q

2. Q

--> P

The above is the putative fallacy of affirming the consequent. If there are any formal fallacies, then presumably this is a formal fallacy superperZEN.-

http://al-archive.lnxnt.org/?s=Schlachtzug …

Congregating Women: Reading 3rd Wave Feminist Practices in Subcultural Production
Crazy Jeans…..

[1] In her article, „Second-Hand Dresses and the Role of the Ragmarket,“ Angela McRobbie points to the lack of attention that early subcultural theorists gave to the role of economics in their studies of British subcultures. „Sociologists of the time perhaps ignored this social dimension because to them the very idea that style could be purchased over the counter went against the grain of those analyses which saw the adoption…of punk style as an act of creative defiance far removed from the mundane act of buying“ (136). That young women played important roles as „subcultural entrepreneurs,“ often buying and selling secondhand clothes at stalls in Camden Lock, McRobbie suggests, may have contributed to this exclusion. As she explains, „…the more modest practices of buying and selling have remained women’s work and have been of little interest to those concerned with youth cultural resistance“ (137). This oversight, McRobbie argues in a later essay, „Shut Up and Dance: Youth Culture and Changing Modes of Femininity,“ has resulted in a lack of analyses that consider the social and political role that consumerism can play in post World War Two subcultures in Great Britain especially its resistant aspects such as the recycling of ‚retro‘ clothes that acts among other things „a counterpoint to overpriced high street fashion“ (162).

[2] In a similar spirit, I would like to investigate several sites of current Third Wave feminist subcultural production that illustrate how subcultural entrepreneurs utilize the language and technological practices of the market in ways that counter dominant values often associated with selling and distributing goods such as profit, efficiency, and marketability. To do this, I will first analyze how DIY, or do it yourself, practices contribute to the establishment of an alternative economy and then reveal how contemporary feminist thought is communicated through the production and distribution of women-oriented goods, particularly zines. Most often this economy is based on the buying, trading, and distributing of print zines, but it also includes music production such as compilation tapes and CDs as well as patches, stickers, T-shirts, soaps, washable menstrual pads, chapbooks by women of color, and informational brochures. Many of these items are found at women-run web sites like Pisces Catalog, Frida Loves Diego, and Grrrl Style Distro. Some cater to specific niches such as Noemi Martinez’s La Tiendita, a web site that distributes products by women of color, while others are geared towards women’s health and body issues such as the web site Blood Sisters Project, whose aim is „generating more creative projects to raise awareness surrounding menstrual girl-body politics.“

The unknown sold deer


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