Archiv der Kategorie 'Angot Omeir Tuttee vitebsk.by/e |bel'

Ashton fuck off….

„Ick bn stooltz een punkt punkt punkt zu seinne“.-

i

Bel
… still support Duncan 1866.-cos nos.-

FELLOW CRAFT, OR SECOND DEGREE.

I SHALL omit the ceremonies incident to opening a Lodge of Fellow Crafts, as they are very similar to those employed in opening the First Degree, and will be explained hereafter more
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
clearly to the reader. Five are required by Masonic law to make a legal Lodge of Fellow Crafts, viz.: Worshipful Master, Senior and Junior Wardens, Senior and .Junior Deacons; yet seven, besides the Tyler, generally officiate, and take their seats as in the Entered Apprentice Degree. (See Plate, page 8.)

When the Lodge is opened on the Fellow Craft Degree, the altar is arranged as represented in the accompanying engraving.

We will suppose the Lodge to be opened on the Fellow Craft Degree, and Mr. Gabe, who has previously taken the degree of Entered Apprentice, and been elected to that of Fellow Craft, is in the ante-room in waiting. The Master, being aware of this fact, will say:

p. 59

W. M.--Brother Junior Deacon, you will take with you the necessary assistance and repair to the ante-room, where there is a candidate in waiting for the second degree in Masonry; and when you have him prepared, make it known by the usual sign.

The Junior Deacon, with the two Stewards accompanying him, steps to the centre of the Lodge, makes the duegard and sign of a Fellow Craft, and passes out of the Lodge into the ante-room. (For duegard and sign see Figs. 3 and 4, page 17.)

J. D.--Well, Brother Gabe, you will have to be prepared for this Degree as all have been before you. You, of course, can have no serious objection?

Brother Gabe.--I have not.

J. D.--Then you will take off your boots, coat, pants, vest-necktie, and collar; and here is a pair of drawers, unless you have a pair of your own. Now you will slip
your right arm out of your shirtsleeve, and put it through the bosom of your shirt, that your right arm and breast may he naked.

The Deacon here ties a hoodwink, or hand-kerchief, over both eyes. (In the time of Morgan, it was the usage to cover only one eye.) The Junior Deacon then ties a rope, by Masons called a cable-tow, twice around his arm. (Formerly, the rope was put twice round the candidate’s neck.) Some Lodges follow the old custom now, but this is rather a rare thing. The reader will, however, do well to recollect these hints, as they are particular points.

The right foot and knee of the candidate are made bare by rolling up the drawers, and a slipper should be put on his left foot. This being accomplished, the candidate is duly and truly prepared. (See engraving.)

The Deacon now takes the candidate by the arm, and leads him forward to the door of the Lodge; and upon arriving there he gives three raps, when the Senior Deacon, who has taken his station on the inside door of the Lodge, reports to the Master as follows:

S. D.--Worshipful Master (making the sign of a Fellow Craft), there is an alarm at the inner door of our Lodge.

W. M.--You will attend to the alarm, and ascertain the cause.

p. 60

The Deacon gives three raps, which are responded to by the Junior Deacon, and answered to by one rap from the Senior Deacon inside, who opens the door, and says:

S. D.--Who comes here?

J. D. (conductor.)--Brother Gabe, who has been regularly initiated as Entered Apprentice, and now wishes to receive more light in Masonry by being passed to the degree of Fellow Craft.

S. D. (turning to candidate.)--Brother Gabe, is it of your own free-will and accord?

Candidate--It is.

S. D.--Brother Junior Deacon, is he duly and truly prepared, worthy and well qualified?

J. D.--He is.

S. D.--Has he made suitable proficiency in the preceding degree?

J. D.--He has.

S. D.--And properly vouched for?

J. D.--He is.

S. D.--Who vouches for him?

J. D--A brother.

S. D.--By what further right, or benefit, does he expect to gain admission?

J. D.--By the benefit of a pass.

S. D.--Has he that pass?

J. D.--He has it not, but I have it for him.

S. D.--Advance, and give me the pass. (Some say, advance the pass.)

Junior Deacon whispers in the Senior Deacon’s ear the pass-word, „Shibboleth.“

S. D.--The pass is right. You will wait with patience until the Worshipful Master is informed of your request, and his answer returned.

The Senior Deacon then closes the door, and repairs to the centre of the Lodge, before the Worshipful Master in the east, and sounds his rod twice on the floor, which is responded to by the Master with his gavel, when the same interrogations and answers are repeated by the Master and Deacon as at the door. The Master then says:


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Bowie u² Chinese ‚Wunder|n|mallah jr.“²³W. M--Let him enter, in the name of the Lord, and be received in due form.

The Senior Deacon then takes the square from the altar, and, repairing to the door, he opens it, and says:

S. D.--Let him enter in the name of the Lord, and be received in due form.

The Junior Deacon advances through the door, followed by the

p. 61

two Stewards, when the Senior Deacon stops them by placing the angle of the square against the candidate’s right breast.

S. D. (pressing square against candidate’s breast.)--Brother Gabe, on entering this Lodge the first time you were received on the points of the compass: I now receive you on the angle of the square, which is to teach you that the square of virtue should be the rule and guide of your conscience in all future transactions with mankind.

The Senior Deacon now takes the candidate by the right arm, followed by the Stewards, and conducts him twice around the Lodge, counting from the Junior Warden’s station in the south, during which time the Master reads the following passage of Scripture:

„Thus he showed me: and behold, the Lord stood upon a wall made by a plumb-line, with a plumb-line in his hand. And the Lord said unto me, Amos, what seest thou? And I said, A plumb-line. Then said the Lord, Behold, I will set a plumb-line in the midst of my people Israel; I will not again pass by them any more.“--Amos vii. 7, 8.

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1. Language is a part of reality.
2. Reality is dependent on language.
3. All of reality is dependent on a part of reality.

confused….

Just have a look on Schulterblatt ‚book’s frici|iction

Impsteady math |°MAD ‚Tag der Befreiuung‘ Ingles each a realm of name and justice to do so…

Sex, the body, art and aesthetics.

Why is the naked body – or the body – thought of as beautiful, given that the beautiful is usually used to describe nature and art, and that the body has little in common with art or nature (at least to the extent that there is a man:nature dichotomy operative). Is art beautiful because it recalls – or metaphorizes, somehow – the original beauty of the body? Why should the body be beautiful? In fact, does thinking of the body help philosophy to recall the way in which value leads (to) the beautiful? Obviously the bodies of others are valuable to us, in the same way that others are valuable to us, and to the extent that they are contained within their bodies, or simply are their bodies. Are others themselves beautiful; is simply that which is other to us, beautiful, as an evasion of the ennui of the same? Is the different beautiful? (I mean: think of the eroticisation of racial and sexual difference – though still there is the original question here: what is the relationship between the erotic and beautiful?) Are their (the „others‘) bodies therefore beautiful as aesthetic (and can this be reduced here to perceptible?) manifestations of what is valuable? This, of course, goes against most aesthetic theories which focus on art …for its own sake“. How can the body be …for its own sake“, given that is accompanied by affective relationships? Or does the beauty of the body – in the case of unknown model – begin to disappear when it becomes entangled in affective relationships? Do we truly find our spouses, or children, more beautiful than those we don‘t know? Does …knowing“ the body – in the biblical sense as well as the general sense – ruin beauty? Is beauty opposed to familiarity? Is beauty, therefore, negative, always anti-social, in the sense that familiarity relates to reproduction and security, which is pro-social?

Bel

‚*No means nooo….‘°-

http://assoziation-daemmerung.de/dammerung-english/

Hate ya….Ltn. Cm. Datta TT.-

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This is Ingleland.-

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http://en.wikipedia.org/wiki/Butterflies_in_the_stomach

http://en.wikipedia.org/wiki/I_Never_Saw_Another_Butterfly

This thread is closed, so you cannot post a reply.

The reason why I found this interesting was because of the conflict between the artists intent, and the message interpreted from a work of art. I would be inclined to say that the original publication, and not the original manuscript which Herbert ĸ.Wilde wrote (as mentioned, editing happens all the time) would be the „authentic“ work of art. However, it seems odd to say that it’s authentic when the reason for editing wasn‘t for aesthetic achievement as much as it was to shield the audience from what was considered audacious — in this case, it seemed more appropriate to say that Wilde was censored than edited. So it seems that censorship created the „authentic“ work as that is what has been culturally accepted and interpreted, even though the „authentic“ work was censored — and therefore a step away from the artists intent, which is a decent way of trying to pin down authenticity.

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Bel

Roter |Fabricziuus:“figth white power deformæ transcript-verlag.de/main/suche.php?search=linksradikaler+Mietenspiegel Mali

Lending: in dem folgenden Unterkapitel erfährt man alle grundlegenden Informationen zu den folgenden Themen:

How does the IMF lend? à factsheet
Poverty Reduction and Grwoth Facility (PRGF) à factsheet
Debt relief à factsheet
Emergency assistance: IMF emergency assistance related to natural disaster and post- conflict situations

Resources:

Quotas and quota reviews: Quoten und Quotenüberprüfungen à factsheet
Gold à factsheet
Financing operations: General arrangements to borrow and new arrangements to borrow

Technical Assistance https://mubi.com/login

http://critical-art.net/books/ted/ted6.pdf

The epiphany and the actor
Is this not what Lacan gestures toward by LE POINT DE CAPITON!

http://honeybeekeep.com/content/superorganism Akbar.-cos nos.-

Exactly. A family of bees, or ants, could be considered a super-organism.

1. The universe is, at the very least, aware of itself.

2. How is it that so? It is aware of itself in that it contains and integrates information about itself.
Our own brains do exactly that, and we are part of the universe.

3. I do not have a brain that can conceive of an environment beyond the extents of our space-time continuum, so I can‘t say whether or not the universe is aware of anything else, nor can I make any educated guesses about how it would react to any of it.

Bel Moham Sochkat R.-S.

lumitronix.fr/Produits-avec-LEDs/LED-decoration-fetes/

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Reverend Leeroy
i did a quote for brighton yesterday
» its manly all in the north mate. as i dont advertise
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» much
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19:34 ||°bel
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19:36 ||°bel
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„Careless whisper“~father fiqh a Statuedda ante Imperio

Theme for the New Year’s Poetry Reading (2014) : SEI (quiet)

His Majesty the Emperor
Spreading beyond
The memorial monument
I see before me
The sea of Minamata
So blue, so calm, and so still.
Ireihi no
Saki ni hirogaru
Minamata no
Umi aokushite
Shizuka narikeri

(Background of the poem)
In October Their Majesties the Emperor and the Empress visited Kumamoto Prefecture to attend the National Convention for the Development of an Abundantly Productive Sea and visited the city of Minamata for the first time to participate in the Welcome Ceremony at sea and the release of young fishes into the water. On Their arrival, Their Majesties offered flowers at the Memorial Monument for Minamata Disease Victims. In this poem, His Majesty describes how, on that occasion, He saw the sea of Minamata spreading beyond the Memorial Monument.

Minamata disease is a neurological syndrome caused by severe mercury poisoning, first discovered in Minamata city in Kumamoto Prefecture. It was caused by the release of methylmercury in the industrial wastewater from Chisso Corporation’s chemical plant, which continued from 1932 to 1968.

Her Majesty the Empress
„I now leave to serve
The deity soon to be moved
To a newly built shrine“
So saying with eyes serene
Our daughter left for Ise.
Miutsuri no
Chikaki miyai ni
Tsukauruto
Hitomi shizukani
Ko wa iite tatsu

(Background of the poem)
Ever since her appointment the year before last as a Special Priestess for the relocation of the deity of the Grand Shrine of Ise, Ms. Sayako Kuroda, Their Majesties‘ daughter, served in a series of ceremonies at the shrine on a number of occasions. The deity has been relocated and installed in a new shrine rebuilt every 20 years since A.D. 690, when the practice first began. In this poem, Her Majesty describes how her daughter came to see Their Majesties in September before her departure for Ise.

His Imperial Highness the Crown Prince
The graceful sound of singing is heard in the stillness of the Sanctuary during the Niiname-sai.

(Background of the poem)
His Imperial Highness accompanies His Majesty The Emperor to the Niiname-sai, the Harvest Thanksgiving Ceremony celebrated from the night of November twenty-third until the morning of the twenty-fourth every year in the Shinkaden housed in the Sanctuary of the Palace. This poem depicts his appreciation of the elegant sounds of the sacred Mikagura music performed outside as heard within the silence of the Sanctuary.

Her Imperial Highness the Crown Princess
As though it enwraps even the sorrow, the sea off Kamaishi lies in tranquility.

(Background of the poem)
In November, Their Imperial Highnesses The Crown Prince and Princess visited Kamaishi in Iwate Prefecture, the site of the great earthquake disaster.
The city was severely damaged by the earthquake and tsunami of March, 2011 and is now in the process of recovery. Their Highnesses were most happy to learn there that in May of last year sea urchin fishing had resumed in the Heita District of Kamaishi 2 years after the disaster.
On the day of their visit, the bay of Kamaishi was tranquil. This poem expresses Her Highness’s earnest desire that the sorrow of the people who for many years have lived with the ocean would gradually be lifted, and that the ocean would peacefully protect the livelihood of the people and bring them bountiful blessings.

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A special duur RA worth of German hygienics…

Bel

Ciao Mr. Ajax damme \Willeem – CCTV4 soulful drum‘n base uk/jp tha Lordz

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Kraak Tele*~Romina and Albano Pow.-

] works in digital media, installation, intervention, text and video, "dasein by design", and the spaces in which performance becomes unmediated experience. She has performed, published, collaborated and exhibited internationally. Belinda Blignaut is a South African artist, living and working near Cape Town.
7. Philip Guston's Poem Pictures
8. Wilhelm Sasnal - The Band
9. Pina Bausch - Café Müller
10. The fact that George Brecht's eight tampon and absorbent product-related patents are listed under Electronic Musical Resources

Ina Blom is a curator, writer, art historian and teacher, at the University of Olso.

Thomas Baumgartner is the host of Les Passagers de la Nuit on France Culture

9. The Ancient Order Flyers
10. Eliane Radigue: Kyema, Intermediate States (1992)

Warren Ellis is an award-winning creator of graphic novels. He blogs here.

Top Ten:
November 2010

9. Leslie Thornton - Photography is Easy, Version 2
10. Germaine Dulac - Invitation au Voyage

Peggy Ahwesh is an artist who works in film, audio and installation. A recent retrospective program of her work, "Laugh My Darling", was held at The Guggenheim Museum in Bilbao, Spain. More at EAI.

19:32 Chat by BummerHosting.com 5.0, Build #702
19:32 Welcome!
19:32 You entered GFR Chat.
19:33 Amigo Shaoszu|°bel
High 5 sci
» B.æ.ſ.S.E...°o...
» Trouser down under Aussieal Seinne Seven MCs Aboorighnear Voodoo tatoo mask Afree boooom...***...o°...
» Budweiser for all...mass
19:39 Amigo Shaoszu|°bel
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» Gold
» sexual vilence and perpetrait Nazoroma resocial Speel Spiegel-TVfunken Heino
19:41 nelpastel left the room. (Logged out)
19:42 Amigo Shaoszu|°bel
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Zum Tod von #ArielSharon http://www.juedische-allgemeine.de/article/view/id/18055 …
Retweetet von FreiesSenderKombinat
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Top Ten:
December 2009
Selected by Joan La Barbara

1. Agnes Varda - Plaisir d'amour en Iran (1976)
Reminded me of all that has been lost ...

2. Merce Cunningham - Points in Space (1986)
A wonderful doc about the making of the film and the work itself; great to see the guys happy and in action!

3. Bruce Nauman - Pinch Neck | Walking in an Exaggerated Manner Around the Perimeter of a Square
Stamping in the Studio is wonderful, too - a veritable dance determinedly without flair - but I love the obsessive singularity of Walking in an Exaggerated Manner Around the Perimeter of a Square, and Pinch Neck is truly voluptuous.

4. Kathy Acker - Redoing Childhood
Especially track 1: President Bush

rhol etc on the ss maasdam crossing atlantic, in the mid 60's.....

Peter Gidal is both the chief theorist of the 1970s film avant-garde, and its most austere image-maker. He also is the foremost exponent of British structural cinema. His films can be viewed here on UbuWeb.

10. "Tagasode" Edo period, 17th century
11. Hidatsa: Lean Wolf's Complaint
12. Penelope Umbrico (especially Arrhythmia (All The Dishes On Ebay) and Your Choice)

Aeron Bergman and Alejandra Salinas are artists whose work meets aesthetics and politics. They currently live and work in Oslo where Bergman is head professor of the digital department at the Art Academy of Oslo, Norway, and special advisor to the Nordic Sound Art Master program, a joint program between the major Scandinavian art academies. The artist duo have done major installations at art centers such as Centre d'Arte Santa Monica in Barcelona, Taipei Fine Art Museum, ICC Tokyo and the Serralves Museum in Porto; and sound performances around the world such as the Palais de Tokyo in Paris, the Knitting Factory in New York, and the CCCB in Barcelona; as well as running the sound art publisher Lucky Kitchen.

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Never To Dream Of Spiders by Audre Lorde
Time collapses between the lips of strangers
my days collapse into a hollow tube
soon implodes against now
like an iron wall
my eyes are blocked with rubble
a smear of perspectives
blurring each horizon
in the breathless precision of silence
One word is made.

Once the renegade flesh was gone
fall air lay against my face
sharp and blue as a needle
but the rain fell through October
and death lay a condemnation
within my blood. 19:32 Chat by BummerHosting.com 5.0, Build #702
19:32 Welcome!
19:32 You entered GFR Chat.
19:33 Amigo Shaoszu|°bel
High 5 sci
» B.æ.ſ.S.E…°o…
» Trouser down under Aussieal Seinne Seven MCs Aboorighnear Voodoo tatoo mask Afree boooom…***…o°…
» Budweiser for all…mass
19:39 Amigo Shaoszu|°bel
candles Lhaszair Jerusail Inn..psh..pepples pim-oirdial crouust won
» Gold
» sexual vilence and perpetrait Nazoroma resocial Speel Spiegel-TVfunken Heino
19:41 nelpastel left the room. (Logged out)
19:42 Amigo Shaoszu|°bel
Respect Demon Mark DJ OldSkool Grimme Griessskool Heir Shaolin bass,..bass,..circle shao,..
19:44 Markdjos
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19:55 Amigo Shaoszu|°bel
Waa Ruum erwideerst DuDu mein ee Liebe njet Mosella Mann

The smell of your neck in August
a fine gold wire bejeweling war
all the rest lies
illusive as a farmhouse
on the other side of a valley
vanishing in the afternoon.

Day three day four day ten
the seventh step
a veiled door leading to my golden
anniversary
flameproofed free-paper shredded
in the teeth of a pillaging dog
never to dream of spiders
and when they turned the hoses upon me
a burst of light.

Alien Ant ano Adam|ki homeland social|æ^|social…

Translators‘ Notes

* The German term Volk refers only to the totality of people belonging to a state, as opposed to people as individual human beings (Menschen, Leute). English uses only one word for both, whereby the rarer singular usage, although formally correct, sounds archaic if not downright peculiar (“Behold, a people is coming from the north…” Jer 50:41). This translation will therefore often resort to the modern blend of singular and plural for the sake of readability.

†Dostoevsky, 1861.

‡ German Volksgemeinschaft: ideal of a people’s or national, ethnic community apart from all economic and social differences; especially used by the Nazis — more below.
Authors‘ Notes

1 The pre- and early history of many a people began with tribal communities, i.e., really natural kinship relations; and often enough clan chiefs, underground movements, a Church, and similar authorities have cited all kinds of shared culture to stand by the fact that their crowd see and maintain themselves as a particular society with an autonomous right to a rule from their own ranks. Modern states and peoples distinguish themselves, however, by having irretrievably left behind such primeval relations: with their national territory, monopolists on the use of force also fence off their peoples from each other. It is a bad ideological joke that in this very world of states, there is such a fondness for explaining the sorting of mankind into peoples by some pre-political or even natural connection, and for interpreting state power as the desideratum and product of a kind of tribal community.

Bel…MHz*

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within Prof. Dr. Peter Bendixen