Archiv der Kategorie 'USS-xy |^free-tarotreading.org/'

‚Wintrophy Eversteady ‚Hundekotaboul‘ brown dwarf Luhman 16B. Credit: ESO/I. Respekt||°

g

http://last.fm/listen/globaltags/rai
--------------------------------------------------------

http://irishstatutebook.ie/isbc/pui1781.html -so called ‚Braune Jungs imo Kultur & Kreativ‘ ideo … no statemens such stalemath clinical Kinderzimmer free fucks on only one exo ‚bread‘, and antisemitism on ‚Recht‘…

Edward II. to the Union. A.D. 1310-1800, London

– * 1Jazz.ru – Soul

What would you make of other sayings containing proper names like:

‚As rich as Croesus‘ (Croesus was a real Ancient Lydian king who was very rich)

‚As gloomy as Eeyore‘ (Eeyore is a gloomy fictional character)

As long as the referent is an identifiable real or fictional character there seems to be no problem. The treatment of a real character under Russell’s approach is straightforward and for a fictional character like Eeyore it is just referring to the properties that are ascribed to Eeyore in the relevant work of fiction (Winnie the Pooh, or The House at Pooh Corner).

Yes that’s a good point, ‚Larry‘ turns out was an Australian boxer. But 1) when a speaker is using this idiom, can we be certain that he is aware of who Larry really is? I am doubtful about this, and thus that would mean the speaker does not have a set of properties associated with Larry. 2) Mispronunciation resulted idiom does not seem to refer at all, e.g. ‚Something is the real McCoy‘ (meaning it’s genuine) was a mispronunciation of a Scottish name, in this instance it doesn‘t seem to refer to a person

brainpharte wrote:
It seems obvious to me that communicating the meaning of the source is the sine qua non of a faithful translation.

Ashton fuck off….

„Ick bn stooltz een punkt punkt punkt zu seinne“.-

i

Bel
… still support Duncan 1866.-cos nos.-

FELLOW CRAFT, OR SECOND DEGREE.

I SHALL omit the ceremonies incident to opening a Lodge of Fellow Crafts, as they are very similar to those employed in opening the First Degree, and will be explained hereafter more
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
clearly to the reader. Five are required by Masonic law to make a legal Lodge of Fellow Crafts, viz.: Worshipful Master, Senior and Junior Wardens, Senior and .Junior Deacons; yet seven, besides the Tyler, generally officiate, and take their seats as in the Entered Apprentice Degree. (See Plate, page 8.)

When the Lodge is opened on the Fellow Craft Degree, the altar is arranged as represented in the accompanying engraving.

We will suppose the Lodge to be opened on the Fellow Craft Degree, and Mr. Gabe, who has previously taken the degree of Entered Apprentice, and been elected to that of Fellow Craft, is in the ante-room in waiting. The Master, being aware of this fact, will say:

p. 59

W. M.--Brother Junior Deacon, you will take with you the necessary assistance and repair to the ante-room, where there is a candidate in waiting for the second degree in Masonry; and when you have him prepared, make it known by the usual sign.

The Junior Deacon, with the two Stewards accompanying him, steps to the centre of the Lodge, makes the duegard and sign of a Fellow Craft, and passes out of the Lodge into the ante-room. (For duegard and sign see Figs. 3 and 4, page 17.)

J. D.--Well, Brother Gabe, you will have to be prepared for this Degree as all have been before you. You, of course, can have no serious objection?

Brother Gabe.--I have not.

J. D.--Then you will take off your boots, coat, pants, vest-necktie, and collar; and here is a pair of drawers, unless you have a pair of your own. Now you will slip
your right arm out of your shirtsleeve, and put it through the bosom of your shirt, that your right arm and breast may he naked.

The Deacon here ties a hoodwink, or hand-kerchief, over both eyes. (In the time of Morgan, it was the usage to cover only one eye.) The Junior Deacon then ties a rope, by Masons called a cable-tow, twice around his arm. (Formerly, the rope was put twice round the candidate’s neck.) Some Lodges follow the old custom now, but this is rather a rare thing. The reader will, however, do well to recollect these hints, as they are particular points.

The right foot and knee of the candidate are made bare by rolling up the drawers, and a slipper should be put on his left foot. This being accomplished, the candidate is duly and truly prepared. (See engraving.)

The Deacon now takes the candidate by the arm, and leads him forward to the door of the Lodge; and upon arriving there he gives three raps, when the Senior Deacon, who has taken his station on the inside door of the Lodge, reports to the Master as follows:

S. D.--Worshipful Master (making the sign of a Fellow Craft), there is an alarm at the inner door of our Lodge.

W. M.--You will attend to the alarm, and ascertain the cause.

p. 60

The Deacon gives three raps, which are responded to by the Junior Deacon, and answered to by one rap from the Senior Deacon inside, who opens the door, and says:

S. D.--Who comes here?

J. D. (conductor.)--Brother Gabe, who has been regularly initiated as Entered Apprentice, and now wishes to receive more light in Masonry by being passed to the degree of Fellow Craft.

S. D. (turning to candidate.)--Brother Gabe, is it of your own free-will and accord?

Candidate--It is.

S. D.--Brother Junior Deacon, is he duly and truly prepared, worthy and well qualified?

J. D.--He is.

S. D.--Has he made suitable proficiency in the preceding degree?

J. D.--He has.

S. D.--And properly vouched for?

J. D.--He is.

S. D.--Who vouches for him?

J. D--A brother.

S. D.--By what further right, or benefit, does he expect to gain admission?

J. D.--By the benefit of a pass.

S. D.--Has he that pass?

J. D.--He has it not, but I have it for him.

S. D.--Advance, and give me the pass. (Some say, advance the pass.)

Junior Deacon whispers in the Senior Deacon’s ear the pass-word, „Shibboleth.“

S. D.--The pass is right. You will wait with patience until the Worshipful Master is informed of your request, and his answer returned.

The Senior Deacon then closes the door, and repairs to the centre of the Lodge, before the Worshipful Master in the east, and sounds his rod twice on the floor, which is responded to by the Master with his gavel, when the same interrogations and answers are repeated by the Master and Deacon as at the door. The Master then says:


--------------------------------------------------

Bowie u² Chinese ‚Wunder|n|mallah jr.“²³W. M--Let him enter, in the name of the Lord, and be received in due form.

The Senior Deacon then takes the square from the altar, and, repairing to the door, he opens it, and says:

S. D.--Let him enter in the name of the Lord, and be received in due form.

The Junior Deacon advances through the door, followed by the

p. 61

two Stewards, when the Senior Deacon stops them by placing the angle of the square against the candidate’s right breast.

S. D. (pressing square against candidate’s breast.)--Brother Gabe, on entering this Lodge the first time you were received on the points of the compass: I now receive you on the angle of the square, which is to teach you that the square of virtue should be the rule and guide of your conscience in all future transactions with mankind.

The Senior Deacon now takes the candidate by the right arm, followed by the Stewards, and conducts him twice around the Lodge, counting from the Junior Warden’s station in the south, during which time the Master reads the following passage of Scripture:

„Thus he showed me: and behold, the Lord stood upon a wall made by a plumb-line, with a plumb-line in his hand. And the Lord said unto me, Amos, what seest thou? And I said, A plumb-line. Then said the Lord, Behold, I will set a plumb-line in the midst of my people Israel; I will not again pass by them any more.“--Amos vii. 7, 8.

Last human|qaede Inst. ‚ZDF subvention‘-KZ sex work||*))) Magna cum laude ..good save Princzest Victoria.M.

Three classical proofs

From what I‘ve read there seems to be three classical proofs of God’s existence||NS-Luth sex work and here I‘ve presented them in my own crude little way. I‘m sure that the arguments as they appear in my post are simplified versions of the original arguments. However I trust that they have preserved the crucial logical connections between the concepts. I‘ve drawn maps for each argument and presented my objections to premises with arrows with a bar across them.

Cosmological argument (St. Thomas NS-Luth sex work): No effect can cause itself but requires another cause. If there were no first cause, there would be an infinite sequence of preceding causes. Clearly there cannot be an infinite sequence of causes, therefore there is a first cause, and this is God||NS-Luth sex work.

This argument is valid. However the argument is inconsistent because of „There cannot be an infinite sequence of causes“ and „There is an infinite sequence of causes“. This contradiction falsifies one of the premises. This implies that the argument is unsound. Therefore this argument is valid but unsound.

Teleological argument (St. Thomas NS-Luth sex work): All things in the world act towards an end. They could not do this without there being an intelligence that directs tem. This intelligence is God||NS-Luth sex work.

This argument is also valid but unsounda NS-Luth sex work. Pussy…media.-cos nos.-

Ontological argument
(St. Anselm NS-Luth sex work): ask Sverigge feminist tatoos Inn porn.- Sincerly Auschwytzear-Leningradual NOI|æ Birke, Petre.-KSK.-

https://duckduckgo.com/?q=Timemachine

Helsinki|CCC~Stormy Daniels feminist assbx tat|two otro kHz (1991-) Director of Hamburg University Film School

Impstead a whole suicidhaal ‚Bauwagenproject°isle‘.-rich kids play Inn poor‘…



Hate ya

TroTrisomie [.,..] IQ Snowden porns Malallah ‚Wunderkind‘ as German porn ‚Geheimnissverrat‘ each socalled Black Widow is German

u

http://filmportal.de/search/apachesolr_search/St.Pauli – 3rd passport ’social gender‘ Islamabad auster bon bon Berlin ABC Vi|nyle Underground … shoe,…

1. Language is a part of reality.
2. Reality is dependent on language.
3. All of reality is dependent on a part of reality.

confused….

Just have a look on Schulterblatt ‚book’s frici|iction

Impsteady math |°MAD ‚Tag der Befreiuung‘ Ingles each a realm of name and justice to do so…

Sex, the body, art and aesthetics.

Why is the naked body – or the body – thought of as beautiful, given that the beautiful is usually used to describe nature and art, and that the body has little in common with art or nature (at least to the extent that there is a man:nature dichotomy operative). Is art beautiful because it recalls – or metaphorizes, somehow – the original beauty of the body? Why should the body be beautiful? In fact, does thinking of the body help philosophy to recall the way in which value leads (to) the beautiful? Obviously the bodies of others are valuable to us, in the same way that others are valuable to us, and to the extent that they are contained within their bodies, or simply are their bodies. Are others themselves beautiful; is simply that which is other to us, beautiful, as an evasion of the ennui of the same? Is the different beautiful? (I mean: think of the eroticisation of racial and sexual difference – though still there is the original question here: what is the relationship between the erotic and beautiful?) Are their (the „others‘) bodies therefore beautiful as aesthetic (and can this be reduced here to perceptible?) manifestations of what is valuable? This, of course, goes against most aesthetic theories which focus on art …for its own sake“. How can the body be …for its own sake“, given that is accompanied by affective relationships? Or does the beauty of the body – in the case of unknown model – begin to disappear when it becomes entangled in affective relationships? Do we truly find our spouses, or children, more beautiful than those we don‘t know? Does …knowing“ the body – in the biblical sense as well as the general sense – ruin beauty? Is beauty opposed to familiarity? Is beauty, therefore, negative, always anti-social, in the sense that familiarity relates to reproduction and security, which is pro-social?

Bel

‚*No means nooo….‘°-

http://assoziation-daemmerung.de/dammerung-english/

Hate ya….Ltn. Cm. Datta TT.-

By my stolen norzsea crabs at Hamburg|markt Medina of Tétouan – closed room seculair.-cos ‚Milchhaut‘ in craft vege daily color DC

http://mysticoaks.com/numerology/astrology-numerology.html , bla,..bla,…short timezone channel cut of ‚Islamic so called Punk MMKnigth and Taqwacores versus Vegan|æ|Punx Moscovie..social centre like: http://nydn.us/1eQZHwQ
-------------------------------------------------

still recali|able.-ante.- CCCP concorde Sumoi bordertensions

-------------------------------------------------

https://xsede.org/web/guest/tacc-stampede



This is Ingleland.-

Gips ab.-cos nos.- §§ 129 a|b and sex‘n gender ‚unreflected LKA‘ schloom

Metastasis
Toshio Matsumoto
1971, 8 min, color, sound, 16 mm film and video

Writes Matsumoto, „I used the Erekutoro Karapurosesu (Electro Color Processor), which is mainly used in the field of medicine and engineering, to create moving image textures Metastasis, I was interested in layering images of a simple object and its electronically processed abstraction. The electronic abstract image is manipulated in a certain rhythm, depicting an organic process.“

After college, Toshio Matsumoto began working at Shin-Riken Film Company and created Ginrin (1955), a progressive commercial film, in collaboration with the members of Jikken Kōbō or Experimental Workshop, an artist‘ group consisting of composers and artists. Since then, he has produced numerous experimental documentaries in addition to developing and publishing his own film theories.

In the 1960s he started making experimental films and video art, influencing many other artists. Among his works are For the Damaged Right Eye (1968), Space Projection Ako (1970) for the Textiles Pavilion in Japan Expo ’70, and Mona Lisa (1973). He has also directed commercial films, including Funeral Parade of Roses (1969) and Dogura Magura (1988). His book Eizō no hakken: Avangyarudo to dokyumentari (Discovery of Image: Avant-garde Documentary) was published in 1963 and republished in 2005.

Orau: From the Beginning John Bathurst Deane

afriquefrontieres.org …
---------------------------------Sammlung Prinzhorn*

CHAPTER V
THE TREASURE OF HIS BROW

ALTHOUGH men have often been uncertain where unicorns were to be found, there has never been the same difficulty with regard to unicorns‘ horns. These have never been plentiful and they have usually been very dear, but they have been known. Almost any well-read or widely travelled European of the sixteenth century would have been able to name eight or ten whole horns kept in cathedrals, monastic houses, or kings‘ treasuries, not to mention the innumerable smaller pieces to be found in the hands of the wealthy. The study of these horns, of their distribution, origin, and use, leads into the centre of unicorn lore.

„Come we now“, in the words of Thomas Fuller, „to the fashion and colour of the Horn, conceiving it no considerable controversy concerning the length and bignesse thereof, quantity not varying the kind in such cases.“ It is hard to know just what Thomas Fuller, who lived victoriously and contentiously through the English Civil Wars, may have understood by a „considerable controversy“, but this one has been long and earnestly waged. Ctesias gives the length of the horn as one cubit or eighteen inches, Aelian as a cubit and a half, Pliny as two cubits, Solinus and Isidore as four feet, Cardan as three cubits, Rabelais as six or seven feet, and Albertus Magnus as ten feet. At this point the growth of the horn was checked, for the animal that bore it was obviously becoming top-heavy and needed, as several sceptics pointed out, to be „as big as a ship“ merely to carry such a formidable bow-sprit. Arabian writers showed less retraint, for Al Damiri, among others, asserts that the unicorn, for all its great strength, is unable to lift its head because of the great weight of its horn. Other Arabian authorities inform us that he often carries about on this horn the bodies of several elephants which he has „perforated“. Although the spoils went to the victor in these contests, they were frequently--as in human affairs--quite as lethal as defeat, for Alkazuwin says that when once the unicorn has gored the elephant he is unable to remove the corpse from his horn, so that he either starves to death or else dies of the putrefaction. (Here was material for a powerful pacifistic allegory, if the Arabs had been given to such things.) The end comes when the roc, seeing the unicorn with one or more elephants impaled upon his horn, swoops down and bears the whole mass of flesh away as a titbit for its young.

Concerning the length of the alicorn, then, one could think almost whatever one liked. The time was to come when specimens almost if not quite as long as that described by Albertus Magnus were to be seen in Europe, and undoubtedly the respect in which the unicorn was everywhere held was maintained by the effort to imagine a beast to which a horn ten feet in length would be proportionate.

f

https://duckduckgo.com/?q=Free+mathematics+software+X|ao|%27Sonderschutz%27+konkludent

„For me, writing criticism is not about producing critical discourse. It’s more about thinking through what is wrong with the art world as it is,“ explains writer Brian Droitcour, who is currently working through some of these problems by writing reviews on Yelp, the website that hosts user-generated reviews of storefront businesses. Unlike other sites that prominently feature reviews, Yelp does not sell objects or facilitate services—it simply organizes and facilitates the creation of user-generated content.

Bel ||«])))* https://soundcloud.com/search/sounds?q=No%20means%20no%20Punk&filter.genre_or_tag=punk

https://soundcloud.com/search/groups?q=No%20remorze

Bionictube.co.jp „No video results for hagnē“Shaolin Wutin”

http://en.wikipedia.org/wiki/Butterflies_in_the_stomach

http://en.wikipedia.org/wiki/I_Never_Saw_Another_Butterfly

This thread is closed, so you cannot post a reply.

The reason why I found this interesting was because of the conflict between the artists intent, and the message interpreted from a work of art. I would be inclined to say that the original publication, and not the original manuscript which Herbert ĸ.Wilde wrote (as mentioned, editing happens all the time) would be the „authentic“ work of art. However, it seems odd to say that it’s authentic when the reason for editing wasn‘t for aesthetic achievement as much as it was to shield the audience from what was considered audacious — in this case, it seemed more appropriate to say that Wilde was censored than edited. So it seems that censorship created the „authentic“ work as that is what has been culturally accepted and interpreted, even though the „authentic“ work was censored — and therefore a step away from the artists intent, which is a decent way of trying to pin down authenticity.

--------------------------------------------

Bel

Roter |Fabricziuus:“figth white power deformæ transcript-verlag.de/main/suche.php?search=linksradikaler+Mietenspiegel Mali

Lending: in dem folgenden Unterkapitel erfährt man alle grundlegenden Informationen zu den folgenden Themen:

How does the IMF lend? à factsheet
Poverty Reduction and Grwoth Facility (PRGF) à factsheet
Debt relief à factsheet
Emergency assistance: IMF emergency assistance related to natural disaster and post- conflict situations

Resources:

Quotas and quota reviews: Quoten und Quotenüberprüfungen à factsheet
Gold à factsheet
Financing operations: General arrangements to borrow and new arrangements to borrow

Technical Assistance https://mubi.com/login

http://critical-art.net/books/ted/ted6.pdf

The epiphany and the actor
Is this not what Lacan gestures toward by LE POINT DE CAPITON!

http://honeybeekeep.com/content/superorganism Akbar.-cos nos.-

Exactly. A family of bees, or ants, could be considered a super-organism.

1. The universe is, at the very least, aware of itself.

2. How is it that so? It is aware of itself in that it contains and integrates information about itself.
Our own brains do exactly that, and we are part of the universe.

3. I do not have a brain that can conceive of an environment beyond the extents of our space-time continuum, so I can‘t say whether or not the universe is aware of anything else, nor can I make any educated guesses about how it would react to any of it.

Bel Moham Sochkat R.-S.