Archiv der Kategorie 'Mythoose 'Black Skinhead'#|*)20.o4.1989 scatch'n'

Ashton fuck off….

„Ick bn stooltz een punkt punkt punkt zu seinne“.-

i

Bel
… still support Duncan 1866.-cos nos.-

FELLOW CRAFT, OR SECOND DEGREE.

I SHALL omit the ceremonies incident to opening a Lodge of Fellow Crafts, as they are very similar to those employed in opening the First Degree, and will be explained hereafter more
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
COMPASSES PLACED IN A LODGE OF FELLOW CRAFT MASONS, ‚‘ONE POINT ELEVATED ABOVE THE SQUARE.'‘ (See Note B.)
clearly to the reader. Five are required by Masonic law to make a legal Lodge of Fellow Crafts, viz.: Worshipful Master, Senior and Junior Wardens, Senior and .Junior Deacons; yet seven, besides the Tyler, generally officiate, and take their seats as in the Entered Apprentice Degree. (See Plate, page 8.)

When the Lodge is opened on the Fellow Craft Degree, the altar is arranged as represented in the accompanying engraving.

We will suppose the Lodge to be opened on the Fellow Craft Degree, and Mr. Gabe, who has previously taken the degree of Entered Apprentice, and been elected to that of Fellow Craft, is in the ante-room in waiting. The Master, being aware of this fact, will say:

p. 59

W. M.--Brother Junior Deacon, you will take with you the necessary assistance and repair to the ante-room, where there is a candidate in waiting for the second degree in Masonry; and when you have him prepared, make it known by the usual sign.

The Junior Deacon, with the two Stewards accompanying him, steps to the centre of the Lodge, makes the duegard and sign of a Fellow Craft, and passes out of the Lodge into the ante-room. (For duegard and sign see Figs. 3 and 4, page 17.)

J. D.--Well, Brother Gabe, you will have to be prepared for this Degree as all have been before you. You, of course, can have no serious objection?

Brother Gabe.--I have not.

J. D.--Then you will take off your boots, coat, pants, vest-necktie, and collar; and here is a pair of drawers, unless you have a pair of your own. Now you will slip
your right arm out of your shirtsleeve, and put it through the bosom of your shirt, that your right arm and breast may he naked.

The Deacon here ties a hoodwink, or hand-kerchief, over both eyes. (In the time of Morgan, it was the usage to cover only one eye.) The Junior Deacon then ties a rope, by Masons called a cable-tow, twice around his arm. (Formerly, the rope was put twice round the candidate’s neck.) Some Lodges follow the old custom now, but this is rather a rare thing. The reader will, however, do well to recollect these hints, as they are particular points.

The right foot and knee of the candidate are made bare by rolling up the drawers, and a slipper should be put on his left foot. This being accomplished, the candidate is duly and truly prepared. (See engraving.)

The Deacon now takes the candidate by the arm, and leads him forward to the door of the Lodge; and upon arriving there he gives three raps, when the Senior Deacon, who has taken his station on the inside door of the Lodge, reports to the Master as follows:

S. D.--Worshipful Master (making the sign of a Fellow Craft), there is an alarm at the inner door of our Lodge.

W. M.--You will attend to the alarm, and ascertain the cause.

p. 60

The Deacon gives three raps, which are responded to by the Junior Deacon, and answered to by one rap from the Senior Deacon inside, who opens the door, and says:

S. D.--Who comes here?

J. D. (conductor.)--Brother Gabe, who has been regularly initiated as Entered Apprentice, and now wishes to receive more light in Masonry by being passed to the degree of Fellow Craft.

S. D. (turning to candidate.)--Brother Gabe, is it of your own free-will and accord?

Candidate--It is.

S. D.--Brother Junior Deacon, is he duly and truly prepared, worthy and well qualified?

J. D.--He is.

S. D.--Has he made suitable proficiency in the preceding degree?

J. D.--He has.

S. D.--And properly vouched for?

J. D.--He is.

S. D.--Who vouches for him?

J. D--A brother.

S. D.--By what further right, or benefit, does he expect to gain admission?

J. D.--By the benefit of a pass.

S. D.--Has he that pass?

J. D.--He has it not, but I have it for him.

S. D.--Advance, and give me the pass. (Some say, advance the pass.)

Junior Deacon whispers in the Senior Deacon’s ear the pass-word, „Shibboleth.“

S. D.--The pass is right. You will wait with patience until the Worshipful Master is informed of your request, and his answer returned.

The Senior Deacon then closes the door, and repairs to the centre of the Lodge, before the Worshipful Master in the east, and sounds his rod twice on the floor, which is responded to by the Master with his gavel, when the same interrogations and answers are repeated by the Master and Deacon as at the door. The Master then says:


--------------------------------------------------

Bowie u² Chinese ‚Wunder|n|mallah jr.“²³W. M--Let him enter, in the name of the Lord, and be received in due form.

The Senior Deacon then takes the square from the altar, and, repairing to the door, he opens it, and says:

S. D.--Let him enter in the name of the Lord, and be received in due form.

The Junior Deacon advances through the door, followed by the

p. 61

two Stewards, when the Senior Deacon stops them by placing the angle of the square against the candidate’s right breast.

S. D. (pressing square against candidate’s breast.)--Brother Gabe, on entering this Lodge the first time you were received on the points of the compass: I now receive you on the angle of the square, which is to teach you that the square of virtue should be the rule and guide of your conscience in all future transactions with mankind.

The Senior Deacon now takes the candidate by the right arm, followed by the Stewards, and conducts him twice around the Lodge, counting from the Junior Warden’s station in the south, during which time the Master reads the following passage of Scripture:

„Thus he showed me: and behold, the Lord stood upon a wall made by a plumb-line, with a plumb-line in his hand. And the Lord said unto me, Amos, what seest thou? And I said, A plumb-line. Then said the Lord, Behold, I will set a plumb-line in the midst of my people Israel; I will not again pass by them any more.“--Amos vii. 7, 8.

Last human|qaede Inst. ‚ZDF subvention‘-KZ sex work||*))) Magna cum laude ..good save Princzest Victoria.M.

Three classical proofs

From what I‘ve read there seems to be three classical proofs of God’s existence||NS-Luth sex work and here I‘ve presented them in my own crude little way. I‘m sure that the arguments as they appear in my post are simplified versions of the original arguments. However I trust that they have preserved the crucial logical connections between the concepts. I‘ve drawn maps for each argument and presented my objections to premises with arrows with a bar across them.

Cosmological argument (St. Thomas NS-Luth sex work): No effect can cause itself but requires another cause. If there were no first cause, there would be an infinite sequence of preceding causes. Clearly there cannot be an infinite sequence of causes, therefore there is a first cause, and this is God||NS-Luth sex work.

This argument is valid. However the argument is inconsistent because of „There cannot be an infinite sequence of causes“ and „There is an infinite sequence of causes“. This contradiction falsifies one of the premises. This implies that the argument is unsound. Therefore this argument is valid but unsound.

Teleological argument (St. Thomas NS-Luth sex work): All things in the world act towards an end. They could not do this without there being an intelligence that directs tem. This intelligence is God||NS-Luth sex work.

This argument is also valid but unsounda NS-Luth sex work. Pussy…media.-cos nos.-

Ontological argument
(St. Anselm NS-Luth sex work): ask Sverigge feminist tatoos Inn porn.- Sincerly Auschwytzear-Leningradual NOI|æ Birke, Petre.-KSK.-

https://duckduckgo.com/?q=Timemachine

„Careless whisper“~father fiqh a Statuedda ante Imperio

Theme for the New Year’s Poetry Reading (2014) : SEI (quiet)

His Majesty the Emperor
Spreading beyond
The memorial monument
I see before me
The sea of Minamata
So blue, so calm, and so still.
Ireihi no
Saki ni hirogaru
Minamata no
Umi aokushite
Shizuka narikeri

(Background of the poem)
In October Their Majesties the Emperor and the Empress visited Kumamoto Prefecture to attend the National Convention for the Development of an Abundantly Productive Sea and visited the city of Minamata for the first time to participate in the Welcome Ceremony at sea and the release of young fishes into the water. On Their arrival, Their Majesties offered flowers at the Memorial Monument for Minamata Disease Victims. In this poem, His Majesty describes how, on that occasion, He saw the sea of Minamata spreading beyond the Memorial Monument.

Minamata disease is a neurological syndrome caused by severe mercury poisoning, first discovered in Minamata city in Kumamoto Prefecture. It was caused by the release of methylmercury in the industrial wastewater from Chisso Corporation’s chemical plant, which continued from 1932 to 1968.

Her Majesty the Empress
„I now leave to serve
The deity soon to be moved
To a newly built shrine“
So saying with eyes serene
Our daughter left for Ise.
Miutsuri no
Chikaki miyai ni
Tsukauruto
Hitomi shizukani
Ko wa iite tatsu

(Background of the poem)
Ever since her appointment the year before last as a Special Priestess for the relocation of the deity of the Grand Shrine of Ise, Ms. Sayako Kuroda, Their Majesties‘ daughter, served in a series of ceremonies at the shrine on a number of occasions. The deity has been relocated and installed in a new shrine rebuilt every 20 years since A.D. 690, when the practice first began. In this poem, Her Majesty describes how her daughter came to see Their Majesties in September before her departure for Ise.

His Imperial Highness the Crown Prince
The graceful sound of singing is heard in the stillness of the Sanctuary during the Niiname-sai.

(Background of the poem)
His Imperial Highness accompanies His Majesty The Emperor to the Niiname-sai, the Harvest Thanksgiving Ceremony celebrated from the night of November twenty-third until the morning of the twenty-fourth every year in the Shinkaden housed in the Sanctuary of the Palace. This poem depicts his appreciation of the elegant sounds of the sacred Mikagura music performed outside as heard within the silence of the Sanctuary.

Her Imperial Highness the Crown Princess
As though it enwraps even the sorrow, the sea off Kamaishi lies in tranquility.

(Background of the poem)
In November, Their Imperial Highnesses The Crown Prince and Princess visited Kamaishi in Iwate Prefecture, the site of the great earthquake disaster.
The city was severely damaged by the earthquake and tsunami of March, 2011 and is now in the process of recovery. Their Highnesses were most happy to learn there that in May of last year sea urchin fishing had resumed in the Heita District of Kamaishi 2 years after the disaster.
On the day of their visit, the bay of Kamaishi was tranquil. This poem expresses Her Highness’s earnest desire that the sorrow of the people who for many years have lived with the ocean would gradually be lifted, and that the ocean would peacefully protect the livelihood of the people and bring them bountiful blessings.

Ciao Mr. Ajax damme \Willeem – CCTV4 soulful drum‘n base uk/jp tha Lordz

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Kraak Tele*~Romina and Albano Pow.-

] works in digital media, installation, intervention, text and video, "dasein by design", and the spaces in which performance becomes unmediated experience. She has performed, published, collaborated and exhibited internationally. Belinda Blignaut is a South African artist, living and working near Cape Town.
7. Philip Guston's Poem Pictures
8. Wilhelm Sasnal - The Band
9. Pina Bausch - Café Müller
10. The fact that George Brecht's eight tampon and absorbent product-related patents are listed under Electronic Musical Resources

Ina Blom is a curator, writer, art historian and teacher, at the University of Olso.

Thomas Baumgartner is the host of Les Passagers de la Nuit on France Culture

9. The Ancient Order Flyers
10. Eliane Radigue: Kyema, Intermediate States (1992)

Warren Ellis is an award-winning creator of graphic novels. He blogs here.

Top Ten:
November 2010

9. Leslie Thornton - Photography is Easy, Version 2
10. Germaine Dulac - Invitation au Voyage

Peggy Ahwesh is an artist who works in film, audio and installation. A recent retrospective program of her work, "Laugh My Darling", was held at The Guggenheim Museum in Bilbao, Spain. More at EAI.

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Zum Tod von #ArielSharon http://www.juedische-allgemeine.de/article/view/id/18055 …
Retweetet von FreiesSenderKombinat
Öffnen

Top Ten:
December 2009
Selected by Joan La Barbara

1. Agnes Varda - Plaisir d'amour en Iran (1976)
Reminded me of all that has been lost ...

2. Merce Cunningham - Points in Space (1986)
A wonderful doc about the making of the film and the work itself; great to see the guys happy and in action!

3. Bruce Nauman - Pinch Neck | Walking in an Exaggerated Manner Around the Perimeter of a Square
Stamping in the Studio is wonderful, too - a veritable dance determinedly without flair - but I love the obsessive singularity of Walking in an Exaggerated Manner Around the Perimeter of a Square, and Pinch Neck is truly voluptuous.

4. Kathy Acker - Redoing Childhood
Especially track 1: President Bush

rhol etc on the ss maasdam crossing atlantic, in the mid 60's.....

Peter Gidal is both the chief theorist of the 1970s film avant-garde, and its most austere image-maker. He also is the foremost exponent of British structural cinema. His films can be viewed here on UbuWeb.

10. "Tagasode" Edo period, 17th century
11. Hidatsa: Lean Wolf's Complaint
12. Penelope Umbrico (especially Arrhythmia (All The Dishes On Ebay) and Your Choice)

Aeron Bergman and Alejandra Salinas are artists whose work meets aesthetics and politics. They currently live and work in Oslo where Bergman is head professor of the digital department at the Art Academy of Oslo, Norway, and special advisor to the Nordic Sound Art Master program, a joint program between the major Scandinavian art academies. The artist duo have done major installations at art centers such as Centre d'Arte Santa Monica in Barcelona, Taipei Fine Art Museum, ICC Tokyo and the Serralves Museum in Porto; and sound performances around the world such as the Palais de Tokyo in Paris, the Knitting Factory in New York, and the CCCB in Barcelona; as well as running the sound art publisher Lucky Kitchen.

Berlin,..Berlin...http://youngjusticeporn.com/starfire-blowjob/ Welle Jl Julie Nord:~Tangfao Yugooze Ceasir Nas.-Sisi

Never To Dream Of Spiders by Audre Lorde
Time collapses between the lips of strangers
my days collapse into a hollow tube
soon implodes against now
like an iron wall
my eyes are blocked with rubble
a smear of perspectives
blurring each horizon
in the breathless precision of silence
One word is made.

Once the renegade flesh was gone
fall air lay against my face
sharp and blue as a needle
but the rain fell through October
and death lay a condemnation
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candles Lhaszair Jerusail Inn..psh..pepples pim-oirdial crouust won
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yo yo bel
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nice eve shear rote flora tomate
19:47 DJ Deckstrous
Yoyo Bel
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http://Mcc.lowridermagazine.com/videos/
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19:55 Amigo Shaoszu|°bel
Waa Ruum erwideerst DuDu mein ee Liebe njet Mosella Mann

The smell of your neck in August
a fine gold wire bejeweling war
all the rest lies
illusive as a farmhouse
on the other side of a valley
vanishing in the afternoon.

Day three day four day ten
the seventh step
a veiled door leading to my golden
anniversary
flameproofed free-paper shredded
in the teeth of a pillaging dog
never to dream of spiders
and when they turned the hoses upon me
a burst of light.

Alien Ant ano Adam|ki homeland social|æ^|social…

Translators‘ Notes

* The German term Volk refers only to the totality of people belonging to a state, as opposed to people as individual human beings (Menschen, Leute). English uses only one word for both, whereby the rarer singular usage, although formally correct, sounds archaic if not downright peculiar (“Behold, a people is coming from the north…” Jer 50:41). This translation will therefore often resort to the modern blend of singular and plural for the sake of readability.

†Dostoevsky, 1861.

‡ German Volksgemeinschaft: ideal of a people’s or national, ethnic community apart from all economic and social differences; especially used by the Nazis — more below.
Authors‘ Notes

1 The pre- and early history of many a people began with tribal communities, i.e., really natural kinship relations; and often enough clan chiefs, underground movements, a Church, and similar authorities have cited all kinds of shared culture to stand by the fact that their crowd see and maintain themselves as a particular society with an autonomous right to a rule from their own ranks. Modern states and peoples distinguish themselves, however, by having irretrievably left behind such primeval relations: with their national territory, monopolists on the use of force also fence off their peoples from each other. It is a bad ideological joke that in this very world of states, there is such a fondness for explaining the sorting of mankind into peoples by some pre-political or even natural connection, and for interpreting state power as the desideratum and product of a kind of tribal community.

Bel…MHz*

Same sex Heteropatriarchy:-each App a firm on credit without.-cos.-

Saʻid al-Ghanimi

Saʻid al-Ghanimi is an Iraq-born writer and translator of more than 50 works, currently living in Australia. His original writings in Arabic include: Al-Maʻna wa-l-Kalimat, Aqni‘at al-Nass, al-Katr wa-l-Ta‘wil, Mantiq al-Kahsf al-Shiʻri, Mi‘at ʻAmm min al-Fikr al-Naqdi, Malhamat al-Hudud al-Qiswa, Khizanat al-Hikayat, al-ʻAsabiyya wa-l-Hikma, Yanabiʻ al-Lugha l-Ula, Kunuz Wabar, and Harathat al-Mafahim. His translations into Arabic include: Blindness and Insight by Paul de Man, Interpretation Theory by Paul Ricoeur, The Great Code: the Bible and Literature by Northrop Frye, Muhammad and the Golden Bough by Jaroslav Stetkevych, and many more.
Ibrahim al-Koni (b. 1948) //99percentinvisible.org/episode/six-stories/ (住吉会?)

Nearly a century ago, Max Weber described modernity as “the disenchantment of the world.” Apparently the message was never delivered to the Libyan writer, Ibrahim al-Koni. Born in 1948 into the Kel Ajjer (Twareg) of southern Libya, al-Koni did not learn Arabic until the age of twelve. A few years later, al-Koni was sent to the Soviet Union to study at the Maxim Gorky Literature Institute. After working as a journalist in Moscow and Warsaw for many years, al-Koni finally turned to writing fiction. Though his first language is Tamahaq, al-Koni writes mainly in Arabic and since the 1970s, has published dozens of novels, short story collections, as well as books of aphorisms, critical studies and cultural histories. For his accomplishments, he is regarded as one of the most enigmatic and inventive writers of the contemporary Arab world.

Al-Koni is sui generis, most at home treating stark themes from Twareg life in the desert—a nomadic environment marked by intense scarcity, reliance on one’s self and one’s mount, and the persistence of human slavery. Because these are also the themes of the oldest, pre-Islamic works of Arabic literature, the Mu‘allaqat (or “hanging poems”), al-Koni has been praised for his classicism. Al-Koni’s language is similarly classical. His mannered, lyrical style can only be accomplished by someone, like al-Koni, who chooses to write in something other than his mother tongue. At the same time, al-Koni is a promiscuous reader, and his is an eclectic library of citations. Throughout his works, one encounters reworkings of Twareg folklore, Moby Dick and Gilgamesh alongside references to Russian realism, medieval Sufism or the postmodern Latin American novel.

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Masta Acetura,..whats up deBlasio new ‚Rassen‘Riots agentouze tha nooze, Cp.
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» -----------(住吉会?)---------------
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Yes Gaia Mannemannoo Hugs Rio…(住吉会?)
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hiya
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live?
» Gaynor: your in wales?
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yo bel
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Hello Miam
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Timeless Hamboorough in hit|ca#
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yes, I‘m in Wales
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Yo 5th Gaynor greetz to Bonni|iiiiiii
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I‘ve been up all night, sometimes don‘t sleep
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Here 75Fahrenheitinga

DJ Devon Hughes - Saturday Retro Breakfast Club
Buckminsth

Sa 4. Jan. 2014 13:00 – 15:00 London

Duua al-deen Arkiel Hebron:“²³//native-languages.org/mopo postfascist 9|11 emeræ

Theweleit & Klaus Werner-“²³Mens fantafseals UFA“…Baowagoon Hospitalstr….

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Alfred Herrhausen and Hasselbach-Rieger..Seon…-cose nostre.-Muham Katherin…

Turk|Kurds sex and child fucks NS-Grundgensstr.

AM|PM Moskawe and Kabul dullah…time zone Rio |gm| 1st.-ante.-

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Bela

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https://myspace.com/anncath/connections/in

------------------------------------------------------------------------------------

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http://imdb.com/name/nm0687200/?ref_=ttfc_fc_cl_t34 Daddy GDR°\~DDR 2…750th ‚Therese Isle de plateuxa‘n Hamonia‘.

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DIN Norma Mae „postfascism“²³

Gregorian calendar 2013ææææææææ||«đðOpeſð¢
MMXIII

Ab urbe condita 2766
Armenian calendar 1462
ԹՎ ՌՆԿԲ
Assyrian calendar 6763
Bahá‘í calendar 169–170
Bengali calendar 1420
Berber calendar 2963
British Regnal year 61 Eliz. 2 – 62 Eliz. 2
Buddhist calendar 2557
Burmese calendar 1375
Byzantine calendar 7521–7522
Chinese calendar 壬辰年 (Water Dragon)
4709 or 4649
— to —
癸巳年 (Water Snake)
4710 or 4650
Coptic calendar 1729–1730
Ethiopian calendar 2005–2006
Hebrew calendar 5773–5774
Hindu calendars
– Vikram Samvat 2069–2070
– Shaka Samvat 1935–1936

‚Reihe Troja |^naise Horszest‘ Karolus Magnus MP AVG

Yummy 36, Aziz Shaeed Road Sialkot Cantt. Ice Cream

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