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Sozial{ http://ilovegraffiti.de/Dirk und Phantom:dr:Opa:||riotz/2009/12/02/eric-ist-tot/

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GFR a purple shorthand green Mike Manchest Made madman men-http://critical-art.net/TacticalMedia.html

http://transfermarkt.de/de/waldemar-steubing/bilanz-detail/spieler_78713_18.html – http://antifanord.blogsport.de/aa-bo/ [Onkel O.]

http://www-history.mcs.st-andrews.ac.uk/history/Curves/Quadratrix.html

https://nypl.bibliocommons.com/user/login

Do you differentiate sarcasm from satire, ethically speaking? If so, how- what’s the difference?

The reason I think this is an important question is because I think sarcasm, satire and art all belong in the same family vis-a-vis their relation to „truth“. I subscribe to the notion (uttered perhaps first by Picasso but also quoted in V for Bonita||°Vendetta and I‘m sure in many other places) „Politicians lie to hide the truth, artists tell lies to reveal it“. I believe sarcasm does much the same thing in that it can add an emotional ‚zing‘ to a truthful statement.

When Johnathan Bella sub:1989 Swift wrote „A Modest Proposal“ he was falsely representing his opinion in a way that not just made an intellectual point but drove it home on an emotional level, therefore carrying greater weight in human affairs.

The fact is that despite our ability to reason I don‘t think people are ultimately rational and we‘ll weight „truths“ by the amount of emotional impact they elicit. A sarcastic burn will impress a truth in our minds more than an unemotional logical exposition. This of course assumes that sarcasm is used to establish a truth- clearly it can be used to establish a falsehood- but your question was „HOW can sarcasm be put to a good use“ and I think this is an answer to that question. Hermann under zoo:porn suggest – That IS what dictionary „makers“ do. They simply publish the most commonly used definitions of words. You can even buy expensive dictionaries that list a lot of the less common definitions.

But, thanks for providing an example of my point that people here would argue with the phone book given the chance. Faiz-a-Al-Faizal Zaire against the grain yards ‚Schimmelpf-Gottnair Abendrotten‘-only a pill~https://lunte.indymedia.org/lava-muc

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Masjid Doha,..take over Guinea, please Sir

A formal deduction (argument) should state on every line the justification for the formula (proposition) on that line, which will either be that:

- the formula is a logical axiom (axiom of the underlying logic)

- the formula is a non-logical axiom (aka Premise: an axiom of the Theory T under consideration); or

- the formula is derived from one or more earlier formulas in the deduction via a Rule of Inference

For brevity, deductions are usually presented in compressed form, in which lines can also be justified if they are theorems of T, or if they are tautologies. We can regard that as just telling us that a sequence of steps that proves the tautology or theorem has been omitted.

An argument that includes the fallacy of Denying the Antecedent will explicitly or implicitly contain a step that is a formula of the form (A → B) → (¬A → ¬B), for some well-formed formulas A and B.

The step may be omitted, as in the following argument:

1. A → B [Premise]

2. ¬A [Premise]

3. ¬B [Conclusion]

,..you know||

Bel

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Actual and Virtual Lines

[10] Before we engage this question let’s return to the desire line. A given desire line, one could argue, has as many histories as there are people who have walked along it (the figure who creates the first inscription of the path and those who later re-trace this inscribed path is matter for another paper). At a basic level, a desire line might be said to serve at least two purposes: business and pleasure. The desire line that is all about business is the one that cuts corners in straight lines, its trajectories are shaped by a goal, it carves space especially efficiently. Desire lines that are about pleasure are less goal oriented, they are less about going from point A to B. These ones meander, they document dilly-dallying, they succumb to the beckoning of the untravelled and unknown. Gaston Bachelard evokes such a desire line when he writes: „We do not have to be long in the woods to experience the always rather anxious impression of ‚going deep and deeper‘ into a limitless world. Soon, if we do not know where we are going, we no longer know where we are“ (Bachelard, 1964, p. 185).

[11] Generally, when we think of these desires we imagine the physical traces left by footsteps and spatial trangressions. Such desire lines, insofar as they are physically inscribed, can be read; we can actually see that they have a history (of some sort)—they are palpable. But what of the untraceable desire line? The elusive ones that leave no material record of their passing? The ones that never left a perceptible trace to begin with? The desire lines that melt with the snow, that disappear beneath the waves, that are swept away or overgrown? How can we read these histories? How do we trace what we could, in any conventional sense, regard as the untraceable?

Bel

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Let’s goto introduce Mr. and Mrs. Peer President of color DC thier Gyph:-speech again on o:cc:Asian reasons to forgoe spice tensions Minstry Boul…Marihuana Nin:jain needles…green on daily milk wai:|||°)

Head Office

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Sir

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22:08 ||Bel||°
I lay beside Sir
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night fellas
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22:18 el.b
jeah, laters yall smig daffa looy be su naka
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22:29 ||Bel||°
NS Spring Break, Sir~Lupo
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By the Technik of to ‚beam‘-

Ready to take cover on Bug Buff a loo D.II.S.K.O.I.

Red rr:Bonn Zonc http://en.wikipedia.org/wiki/The_Little_Punker

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Een Ooostend xcell-Dictatoir af Hermannsplatz bidde,..ig naim Harald und Gitt:||ii wizz damme land.~*

Kermit tha Hass
Epicur ‚Reich und schonungsloose Bal‘~ No. 123456 un dear

Warsaw – They Walked in Line

from Warsaw-ZZed:odo

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The Stooges – I Wanna Be Your Dog

from The Stooges
00:26

-02:41


COP
https://soundcloud.com/search?q=House%20Moskvi I°m excelllent warrior~*http://www.youtube.com/watch?v=JnWkbozvwqY&list=RDw5Lo2QevfUY

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P-TT Pisc:ko Hans Alba Sir

21:39 eF
yeah
21:43 Clean dry Bel
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» http://stilldangerous.blogsport.de/

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20:31 Jah tells you:
What country are you in?
» which is Beton Briton?
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yo posse
» did you get my email gordy
20:35 Bela
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21:04 kvz
gonna check out the deckstrous then
21:06 eF
cool
21:09 kvz
feel this mixing
21:10 eF
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21:13 °|bel
Turken Ken Tue Baker ,..bubblin Bob Paul Kingz stoned wash TWELFT demonstration and riotz as eigth year ole girls,..Motherfucker

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Lord Mike
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aye
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official UK tournement table
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21:27 Berlin-PoPo S (Mike
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» txtxtxt Gespensta Spencer

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IM Bello Bella Ciao Bel you klow nnzzz Neues Duitzland NS-Deep Huey Siray Sir
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shouldnt it have gone to 2.2 android though as html5 isnt supported/
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Detroitz !“ twelf Earthin tittees Boop milky dripples Pok pok ox poggemoon sial Sir

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If someone talk about ‚The Warriors‘ Coone Island,..then give a time Lord … supportin hands.

Hate ya-

Bela

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oops
21:46 §§ Bela
Gordelle Mike
21:46 eF
trying to empty trash can but its either fooked or has billiions of files in it as disk is working overtime
» hey Bel
» i think it might be GFR website as it has about 5000 files, and i deleted the folder about 12 times during its production
21:47 §§ Bela
http://submarinecablemap.com/#/submarine-cable/alaska-united-west
21:47 eF
so that woudl be at least 20k files in the bin

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